|
|
|
|
|
The Mother of Sisera Looked out a Window
Painting ID:: 19490
|
Moore, Albert Joseph
The Mother of Sisera Looked out a Window
1861
Oil on canvas
Tullie House Museum and Art Gallery, Carlisle.
|
| |
|
|
|
|
|
|
|
|
|
Dancing Girl Resting
Painting ID:: 19491
|
Moore, Albert Joseph
Dancing Girl Resting
1863-64
Oil on canvas
Private collection.
|
| |
|
|
|
|
|
|
|
|
|
Pomegranites
Painting ID:: 19492
|
Moore, Albert Joseph
Pomegranites
1865-66
Oil on canvas
Guildhall Art Gallery, London.
|
| |
|
|
|
|
|
|
|
|
|
A Musician
Painting ID:: 19493
|
Moore, Albert Joseph
A Musician
1865-66
Oil on canvas
Yale Center for British Art, New Haven, CT.
|
| |
|
|
|
|
|
|
|
|
|
Lilies
Painting ID:: 19494
|
Moore, Albert Joseph
Lilies
1866
Oil on canvas
Sterling & Francine Clark Art Institute, Williamstown, MA.
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Moore, Albert Joseph
|
|
English Classicist Painter, 1841-1893
He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage. |
|
Related Artists::.
| Andrea del Castagno | Cornelis de Man | Nathan Webb | |
|
